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All posts by : Amalia Spiliakou

The Byzantine Church of Hagia Eirene, between the4th and 8th centuries, Istanbul, Turkey

The Byzantine Church of Hagia Eirene

September 17, 2021
by Amalia Spiliakou Byzantine ArtTeaching Resources

Hagia Eirene’s rare Iconoclastic apse mosaic — a golden cross on gold, outlined in black tesserae — creates a sublime, almost divine luminosity through its masterful, light-reflecting technique.

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The decorated Atrium of the Samnite House in Herculaneum has a Gallery with Ionic Columns and Latticework Screens, 1st century AD, made of painted stucco

The Samnite House in Herculanium

September 14, 2021
by Amalia Spiliakou Roman ArtTeaching Resources

Herculaneum’s Samnite House, dating to the 2nd century BC, is a remarkable survivor — its frescoed fauces, Corinthian columns, and ornate atrium offering an intimate glimpse into ancient Roman domestic life.

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Monemvasia by Konstantinos Maleas

September 10, 2021
by Amalia Spiliakou 20th century ArtModern Greek ArtTeaching Resources

Maleas’s Monemvasia — held in the Bank of Greece’s remarkable 3,000-piece collection — captures the rugged, historic beauty of a Byzantine city legendarily founded with just one entrance to the sea.

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Portrait Medallion of Gennadios, 250–300 AD, made in Alexandria, Egypt. Gold Glass, D. 4.2 cm, the MET, NY, USA

Portrait Medallion of Gennadios

September 3, 2021
by Amalia Spiliakou Byzantine ArtEarly Christian ArtTeaching Resources

Gennadios — a gold-on-sapphire-glass portrait medallion from Alexandria — is an exquisitely engraved masterpiece celebrating a musically accomplished youth, and one of the most captivating Late Antique treasures at the Metropolitan Museum.

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The Labours of the Months: September

August 31, 2021
by Amalia Spiliakou Italian Renaissance ArtRenaissance ArtTeaching Resources

A unknown Venetian artist’s September — a man pressing grapes beneath a vine — forms part of a vivid Renaissance painted door series depicting the traditional twelve Labours of the Months.

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End of the Season by William Merritt Chase

August 27, 2021
by Amalia Spiliakou 19th century ArtAmerican ArtTeaching Resources

Chase’s End of the Season — a lone woman amid empty tables by a choppy shore — beautifully captures summer’s melancholic farewell, rendered in his masterful, modernist pastel technique.

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Replicas of the twenty-three surviving dishes that make up Isabella D’Este’s Maiolica Credenza by Mantuan artist Ester Mantovani

Maiolica Credenza

August 24, 2021
by Amalia Spiliakou Italian Renaissance ArtMythologyRenaissance ArtTeaching Resources

Eleonora Gonzaga’s magnificent gift to her mother Isabella d’Este — twenty-three maiolica dishes by Nicola da Urbino, the “Raphael of Maiolica” — united mythology, Renaissance patronage, and extraordinary ceramic artistry.

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Off the harbor by Ioannis Altamouras

August 20, 2021
by Amalia Spiliakou 19th century ArtModern Greek ArtTeaching Resources

Altamouras’s moody seascape Off the Harbor — boats dissolving into a blue-white sky with no clear horizon — reflects his Impressionist awakening at Denmark’s celebrated Skagen Colony, tragically cut short by tuberculosis.

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Icon of Panagia Nikopoiou, Komnenian period (1081-1185), Wood, 58x55 cm, St. Mark's Basilica, Venice, Italy

The Byzantine Icon of Panagia Nicopoiou

August 14, 2021
by Amalia Spiliakou Byzantine ArtTeaching Resources

Venice’s treasured Panagia Nikopoiou — a Byzantine Komnenian icon seized during the Fourth Crusade — became La Serenissima’s sacred Palladium, carried in procession during war and plague for divine protection and victory.

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Queen Tiye (probably), ca. 1353–1336 BC, New Kingdom, Amarna Period, Dynasty 18, Quartzite, 13.3x12.5x12.4 cm, the MET, NY, USA

The Formidable Queen Tiye

August 9, 2021
by Amalia Spiliakou Ancient Egyptian ArtTeaching Resources

Queen Tiye — formidable wife of Amenhotep III and grandmother of Tutankhamun — was dramatically identified through hair analysis, matching her mummy to a lock buried in Tutankhamun’s tomb since 1922.

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