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All posts by : Amalia Spiliakou

Giorgone’s Madonna Cook

May 8, 2023
by Amalia Spiliakou Italian Renaissance ArtRenaissance ArtTeaching Resources

Encountering Giorgione’s elusive Madonna Cook, I was struck by its quiet poetry—where soft light, sparse landscape, and tender intimacy reveal the mystery and innovation of Venetian painting at its finest.

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The Bersha Procession, Middle Kingdom, late 11th Dynasty–early 12th Dynasty, 122010–1961 BC, Egypt, Deir el-Bersha, Tomb 10, shaft A (Djehutynakht), Painted Wood, 66.4 x 8.6 x 42.5 cm, MFA, Boston, MA, USA

The Bersha Procession

May 2, 2023
by Amalia Spiliakou Ancient Egyptian ArtArchaeologyTeaching Resources

The Bersha Procession captivates with refined craftsmanship and vivid detail, transforming humble wood into a lively vision of ritual, devotion, and daily life in ancient Egypt’s afterlife beliefs.

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May Day on Corfu by Charlambos Pachis

April 30, 2023
by Amalia Spiliakou 19th century ArtModern Greek ArtTeaching Resources

Charalambos Pachis’s May Day on Corfu captures festive tradition with vivid colour and lively detail, preserving a joyful ethnographic moment of music, ritual, and community spirit on the island.

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White-Ground Lekythos, 440-430 BC, Terracotta, Canellopoulos Museum, Athens, Greece

Lekythos in the Canellopoulos Museum

April 25, 2023
by Amalia Spiliakou Ancient Greek ArtTeaching Resources

The white-ground lekythos from the Canellopoulos Museum distils grief into image and gesture, where mourning, memory, and the inevitability of death converge in the quiet language of Athenian ritual art.

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Villa Arianna Fresco of Flora, (Room W. 26),  1st century AD, fresco, 38x32 cm, from Villa Arianna in Stabiae, National Archaeological Museum of Naples, Italy

Flora

April 19, 2023
by Amalia Spiliakou MythologyRoman ArtTeaching Resources

The fresco of Flora from Stabiae captures Toru Dutt’s floral rivalry in paint, transforming myth into elegance, where spring, beauty, and nature’s abundance merge in delicate harmony.

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The Veil of Saint Veronica

April 14, 2023
by Amalia Spiliakou Renaissance ArtTeaching Resources

The legend of Veil of Saint Veronica transforms a simple cloth into a sacred imprint of suffering and grace, inspiring devotion, healing, and the enduring spiritual vision of Christ’s compassionate humanity.

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Holy Thursday – Μεγάλη Πέμπτη

April 12, 2023
by Amalia Spiliakou Renaissance ArtTeaching Resources

El Greco’s Agony in the Garden translates the moment of Luke 22:42–44 into visionary intensity, where Christ’s solitary prayer, fractured space, and radiant light express divine submission and human anguish with extraordinary emotional force.

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Holy Monday – Μεγάλη Δευτέρα

April 9, 2023
by Amalia Spiliakou Renaissance ArtTeaching Resources

El Greco’s Christ Driving the Money Changers from the Temple reimagines Mark 11 as a turbulent vision of reform, where violent gesture, distorted space, and vivid light transform sacred outrage into a dramatic call for spiritual purification.

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Pisanello’s Medallion of Ioannis VIII Palaiologos, a loan from the Galleria Giorgio Franchetti at the Ca' D’Oro, Venice, as exhibited in the Hôtel de la Marine, in Paris, France

Face to Face with Emperor Ioannis VIII Palaiologos

April 4, 2023
by Amalia Spiliakou Italian Renaissance ArtRenaissance ArtTeaching Resources

Pisanello’s depiction of John VIII Palaiologos, preserved through sketches and the famous medal, becomes a rare meeting of observation and history, where careful detail turns a fading emperor into a precise Renaissance portrait of dignity and decline.

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Portrait of Lucien Pissarro, c.1937, Photograph, black and white, on paper, taken by Lafayette Ltd, London, Tate Archive, London, UK

April by Lucien Pissarro

March 31, 2023
by Amalia Spiliakou 19th century ArtFrench ArtImpressionismTeaching Resources

Lucien Pissarro’s April, Epping translates Browning’s longing for England into paint, where light-dappled foliage, fresh colour, and broken brushwork evoke an intimate, lived experience of spring in the English countryside.

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