Teacher Curator

Art History - Education

  • Home
  • Who am I?
  • Blog

HomeByzantine Enamels

Posts tagged: Byzantine Enamels

Pair of Byzantine Wristbands with Birds and Palmettes, made in Constantinople, in the Museum of Byzantine Culture, Thessaloniki, Greece

Pair of Byzantine Gold Perikarpia from Thessaloniki

November 5, 2024
by Amalia Spiliakou Byzantine ArtMedieval ArtTeaching Resources

In Byzantine culture, bejewelled perikarpia served as symbols of status and protection — these extraordinary wristbands from Thessaloniki reveal a city’s turbulent history, buried twice to survive centuries of conflict.

Read More
Byzantine Medallion with Saint John the Baptist from an Icon Frame

Gold Medallion of Saint John the Forerunner

January 6, 2024
by Amalia Spiliakou Byzantine ArtTeaching Resources

Medallion of Saint John the Forerunner reflects Byzantine devotional artistry, where gold, enamel, and sacred portraiture converge to express intercession, spiritual hierarchy, and the solemn beauty of divine mediation.

Read More
Stavelot Triptych, ca. 1156-1158, Wood; copper-gilt frames, silver pearls and columns, gilt-brass capitals and bases, vernis brun domes, semi-precious stones, intaglio gems, beads, champlevé, and cloisonné enamels, Wings open: height: 484 mm, width: 660 mm, The Morgan Library and Museum, NY, USA

The Stavelot Triptych in the Morgan Library

May 20, 2023
by Amalia Spiliakou Byzantine ArtTeaching Resources

The Stavelot Triptych unites Byzantine and Romanesque traditions, blending Eastern symbolism with Western narrative, while its precious materials and relics embody artistic exchange, spiritual devotion, and the cultural dialogue of the 12th century.

Read More
Ring of Michael Stryphnos, late 12th – early 13th century, Enamel and gold, 1.9x3.2x3.2 cm, Byzantine Collection, Dumbarton Oaks Museum, Washington, DC, USA

Ring of Michael Stryphnos

June 2, 2021
by Amalia Spiliakou Byzantine ArtTeaching Resources

The Ring of Michael Stryphnos from the Dumbarton Oaks Research Library and Collection encapsulates Byzantine power and decline, symbolizing the troubled reign of Alexios III Angelos and the empire’s approaching catastrophe.

Read More
The Pala d’Oro (the altar retable of San Marco in Venice) (detail)

The Monastery of Pantokrator in Constantinople and the Pala d’Oro in Venice

September 19, 2020
by Amalia Spiliakou Byzantine ArtTeaching Resources

The luminous Pala d’Oro reflects Venice’s deep artistic ties with Constantinople, likely incorporating enamels from the Monastery of Pantokrator—a sacred imperial complex of devotion, charity, and dynastic memory.

Read More

Recent Posts

  • Marble Portrait of Constantine the Great
  • Carolus-Duran’s The Letter and The Reveler
  • Temple A at Prinias
  • The Portrait of the Wyndham Sisters by John Singer Sargent
  • Bonifazio de’ Pitati’s Perseus Freeing Andromeda

Categories

  • 18th century Art
    • Rococo Art
  • 19th century Art
    • Impressionism
    • Post-Impressionism
  • 20th century Art
    • Art Deco
    • Art Nouveau
  • American Art
  • Ancient Egyptian Art
  • Ancient Greek Art
    • Cycladic Art
    • Minoan Art
    • Mycenaean Art
  • Archaeology
  • Baroque Art
  • British Art
  • Byzantine Art
  • Early Christian Art
  • Etruscan Art
  • French Art
  • Japanese Art
  • Medieval Art
    • International Gothic Art
  • Mesopotamian Art
  • Modern Greek Art
  • Mythology
  • Newsletter
  • Prehistoric Art
  • Renaissance Art
    • Italian Renaissance Art
    • Northern Renaissance Art
  • Roman Art
  • Teaching Resources
  • Uncategorized

Teacher Curator

Art History - Education

© Amalia Spiliakou. All Rights Reserved. Powered by Simplyfine

Shopping Basket