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Posts in category: Italian Renaissance Art

Lorenzo Lotto's Portrait of Andrea Odoni

Painter Lorenzo Lotto and Collector Andrea Odoni

September 17, 2024
by Amalia Spiliakou Italian Renaissance ArtRenaissance ArtTeaching Resources

Lotto’s Portrait of Andrea Odoni captures one hand clasping pagan Diana, the other a cross — a Renaissance soul beautifully torn between antiquity and faith.

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Paolo Veronese, Portrait of Iseppo da Porto and his son Adriano

Count Issepo da Porto and his son Adriano

June 15, 2024
by Amalia Spiliakou Italian Renaissance ArtRenaissance ArtTeaching Resources

Veronese’s paired portraits of the da Porto family — father and son, mother and daughter — capture Renaissance nobility’s tender bonds, proud lineage, and timeless parental love with extraordinary elegance.

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Luca della Robbia, Labours of the Months: June

The Labours of the Months by Luca della Robbia

May 31, 2024
by Amalia Spiliakou Italian Renaissance ArtRenaissance ArtTeaching Resources

Luca della Robbia’s twelve glazed terracotta roundels — crafted for Piero de’ Medici’s intimate studietto — celebrate each month’s labour with exquisite Renaissance artistry, now treasured at the V&A.

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‘Botticelli’ Workshop, Allegory of Calumny

The Allegory of Calumny

April 19, 2024
by Amalia Spiliakou Italian Renaissance ArtRenaissance ArtTeaching Resources

Botticelli’s Allegory of Calumny — slander, deceit, and innocence locked in timeless battle — warns kings and commoners alike that false accusation’s destructive power transcends every age.

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Gentile Bellini, Cardinal Bessarion and Two Members of the Scuola della Carità in prayer with the Bessarion Reliquary

Cardinal Bessarion in prayer before his Byzantine Reliquary

March 5, 2024
by Amalia Spiliakou Byzantine ArtItalian Renaissance ArtRenaissance ArtTeaching Resources

Gentile Bellini immortalizes Cardinal Bessarion — Byzantine scholar, Renaissance humanist, Venice’s beloved benefactor — kneeling before his magnificent reliquary, bridging East and West eternally.

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Luca della Robbia, Virgin and Child in a niche

Bliss Madonna by Luca della Robbia

January 23, 2024
by Amalia Spiliakou Italian Renaissance ArtRenaissance ArtTeaching Resources

Virgin and Child in a Niche (Bliss Madonna) exemplifies Renaissance innovation, where glazed terracotta becomes luminous, timeless devotion—merging spiritual intimacy, classical harmony, and technical mastery in a serene image of sacred tenderness.

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Giovanni di ser Giovanni Guidi (called Lo Scheggia), The Inner lid of a wedding chest with the image of a Reclining Youth

Lo Scheggia’s Reclining Youth

December 9, 2023
by Amalia Spiliakou Italian Renaissance ArtRenaissance ArtTeaching Resources

At Reclining Youth (cassone lid), Renaissance domestic art merges moral reflection and intimate beauty, where classical ideals and family values shape a serene image intended to adorn and elevate everyday life.

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Designed by Filippo Brunelleschi, 1377-1446 Spedale degli Innocenti, Construction: 1417-1436 and Andrea della Robbia, 1435-1525, Infant in Swaddling Clothes, 1487

Spedale degli Innocenti in Florence

November 19, 2023
by Amalia Spiliakou Italian Renaissance ArtRenaissance ArtTeaching Resources

Explore Florence’s Ospedale degli Innocenti — Brunelleschi’s Renaissance masterpiece built for orphaned children, adorned with Andrea della Robbia’s tender glazed terracotta roundels, celebrating innocence, compassion, and timeless artistic beauty.

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Titian, 1488-1576, Isabella d’Este, Marquise of Mantua (1474–1539), 1534/36

Titian’s Portrait of Isabella d’Este

October 14, 2023
by Amalia Spiliakou Italian Renaissance ArtRenaissance ArtTeaching Resources

Discover Titian’s captivating Portrait of Isabella d’Este — a masterful Renaissance likeness of the powerful Marchioness of Mantua, radiating regal elegance, timeless beauty, and the divine power of great portraiture.

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Brunelleschi vs. Ghiberti

September 19, 2023
by Amalia Spiliakou Italian Renaissance ArtRenaissance ArtTeaching Resources

Relive the legendary 1401 Florence Baptistery competition — where Ghiberti’s gilded genius triumphed over Brunelleschi’s brilliance, launching one of the Renaissance’s most captivating artistic rivalries, as told by Vasari himself.

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