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 Triptych Leaf with St. Constantine (detail), mid-10th century, Ivory, 16.4x6.5 cm, Dumbarton Oaks, Washington, DC, USA

Triptych Leaf with St. Constantine

May 20, 2022
by Amalia Spiliakou Byzantine ArtTeaching Resources

Constantine the Great is honored through a 10th-century ivory triptych leaf from Dumbarton Oaks, portraying him as both imperial ruler and Christian saint, embodying enduring authority and faith.

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Gold Pendant with the representation of a Bee Goddess, On the upper torso she is depicted as a female with a Daedalic wig and arms bent at the elbows. The rest of the body resembles an insect, its large wings decorated with stippled rosettes, 7th century BC, Archaeological Museum of Eleutherna, Crete, Greece

The Bee Goddess of Eleutherna

May 17, 2022
by Amalia Spiliakou Ancient Greek ArtMinoan ArtTeaching Resources

Celebrating World Bee Day, the ancient Bee Goddess Pendant of Eleutherna reflects early Greek reverence for bees as vital pollinators and powerful symbols of life, nature, and divine femininity.

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Painter at Work from the House of the Surgeon in Pompeii, Room L, East Wall, central section, 1st century AD, Fresco, 45x45.4 cm, National Archaeological Museum of Naples, Italy - Credit: Image © Photographic Archive, National Archaeological Museum of Naples

Painter at Work!

May 13, 2022
by Amalia Spiliakou Roman ArtTeaching Resources

From the Pompeii in Color: The Life of Roman Painting, the fresco Painter at Work from the House of the Surgeon captures a rare, intimate Roman scene of a female artist absorbed in painting within a richly framed interior space.

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Mother and Child by Pablo Picasso

May 7, 2022
by Amalia Spiliakou 20th century ArtTeaching Resources

From the Mother’s Day, Pablo Picasso’s Mother and Child (1921) at the Art Institute of Chicago presents a serene, monumental bond between mother and infant, reflecting classical harmony and emotional stability.

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Woman in Monsieur Forest’s Garden

May 3, 2022
by Amalia Spiliakou 19th century ArtPost-ImpressionismTeaching Resources

Henri de Toulouse-Lautrec’s Woman in Monsieur Forest’s Garden (1891) captures a quiet, natural portrait of Honorine in Montmartre, blending plein-air light with an intimate study of character and mood.

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Simon Bening’s May

April 30, 2022
by Amalia Spiliakou Northern Renaissance ArtRenaissance ArtTeaching Resources

Simon Bening’s Golf Book (May, fol. 22v) presents a vibrant Renaissance May Day scene, blending aristocratic leisure on the river with richly detailed Flemish city and countryside landscapes.

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La Fornarina

April 26, 2022
by Amalia Spiliakou Italian Renaissance ArtRenaissance ArtTeaching Resources

La Fornarina, often linked to Raphael, portrays an enigmatic young woman whose identity remains debated, blending sensuality, symbolism, and artistic self-awareness in a work that continues to fascinate scholars.

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Book cover with a silver-gilt Spanish setting of a Byzantine Ivory Crucifixion, 10th century (ivory); late 11th century (setting), silver-gilt with pseudo-filigree, glass, crystal, and sapphire cabochons, ivory on wood support, Overall: 26.4 × 21.9 × 2.5 cm, the MET, NY, USA

Good Friday – Μεγάλη Παρασκευή

April 21, 2022
by Amalia Spiliakou Byzantine ArtMedieval ArtTeaching Resources

The Byzantine Good Friday hymn contemplates Christ’s Passion with cosmic sorrow, reflected in a 10th-century ivory Crucifixion panel, where serene suffering and sacred symbolism proclaim sacrifice, redemption, and hope.

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Vienna Genesis, The Pharaoh’s Banquet, folio 17, page 34, (Cod. Theol. gr. 31), first half of the 6th century, Illuminated Parchment dyed purple, heightening in shell gold, with a text written in silver ink, 32.0x26.5 cm, Österreichische Nationalbibliothek, Vienna

Holy Monday – Μεγάλη Δευτέρα

April 17, 2022
by Amalia Spiliakou Byzantine ArtTeaching Resources

Vienna Genesis, The Pharaoh’s Banquet, folio 17, page 34, (Cod. Theol. gr. 31), first half of the 6th century, Illuminated Parchment dyed purple, heightening in shell gold, with a text written in silver ink, 32.0x26.5 cm, Österreichische Nationalbiblioth ...

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Cup with the Raising of Lazarus (Christ holding a staff and Lazarus still  wrapped in his burial shroud), 4th century, Free-blown glass with wheel-cut decoration; very pale green, nearly colourless, 11.2 × 11.8 cm, Yale University Art Gallery, USA

Lazarus Saturday – Σάββατο του Λαζάρου

April 15, 2022
by Amalia Spiliakou Byzantine ArtTeaching Resources

Lazarus Saturday is commemorated in Byzantine art through the Yale glass cup depicting Christ raising Lazarus, a serene Early Christian scene symbolizing resurrection, hope, and divine power over death.

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