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Painter at Work from the House of the Surgeon in Pompeii, Room L, East Wall, central section, 1st century AD, Fresco, 45x45.4 cm, National Archaeological Museum of Naples, Italy - Credit: Image © Photographic Archive, National Archaeological Museum of Naples

Painter at Work!

May 13, 2022
by Amalia Spiliakou Roman ArtTeaching Resources

From the Pompeii in Color: The Life of Roman Painting, the fresco Painter at Work from the House of the Surgeon captures a rare, intimate Roman scene of a female artist absorbed in painting within a richly framed interior space.

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Mother and Child by Pablo Picasso

May 7, 2022
by Amalia Spiliakou 20th century ArtTeaching Resources

From the Mother’s Day, Pablo Picasso’s Mother and Child (1921) at the Art Institute of Chicago presents a serene, monumental bond between mother and infant, reflecting classical harmony and emotional stability.

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Woman in Monsieur Forest’s Garden

May 3, 2022
by Amalia Spiliakou 19th century ArtPost-ImpressionismTeaching Resources

Henri de Toulouse-Lautrec’s Woman in Monsieur Forest’s Garden (1891) captures a quiet, natural portrait of Honorine in Montmartre, blending plein-air light with an intimate study of character and mood.

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Simon Bening’s May

April 30, 2022
by Amalia Spiliakou Northern Renaissance ArtRenaissance ArtTeaching Resources

Simon Bening’s Golf Book (May, fol. 22v) presents a vibrant Renaissance May Day scene, blending aristocratic leisure on the river with richly detailed Flemish city and countryside landscapes.

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La Fornarina

April 26, 2022
by Amalia Spiliakou Italian Renaissance ArtRenaissance ArtTeaching Resources

La Fornarina, often linked to Raphael, portrays an enigmatic young woman whose identity remains debated, blending sensuality, symbolism, and artistic self-awareness in a work that continues to fascinate scholars.

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Book cover with a silver-gilt Spanish setting of a Byzantine Ivory Crucifixion, 10th century (ivory); late 11th century (setting), silver-gilt with pseudo-filigree, glass, crystal, and sapphire cabochons, ivory on wood support, Overall: 26.4 × 21.9 × 2.5 cm, the MET, NY, USA

Good Friday – Μεγάλη Παρασκευή

April 21, 2022
by Amalia Spiliakou Byzantine ArtMedieval ArtTeaching Resources

The Byzantine Good Friday hymn contemplates Christ’s Passion with cosmic sorrow, reflected in a 10th-century ivory Crucifixion panel, where serene suffering and sacred symbolism proclaim sacrifice, redemption, and hope.

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Vienna Genesis, The Pharaoh’s Banquet, folio 17, page 34, (Cod. Theol. gr. 31), first half of the 6th century, Illuminated Parchment dyed purple, heightening in shell gold, with a text written in silver ink, 32.0x26.5 cm, Österreichische Nationalbibliothek, Vienna

Holy Monday – Μεγάλη Δευτέρα

April 17, 2022
by Amalia Spiliakou Byzantine ArtTeaching Resources

Vienna Genesis, The Pharaoh’s Banquet, folio 17, page 34, (Cod. Theol. gr. 31), first half of the 6th century, Illuminated Parchment dyed purple, heightening in shell gold, with a text written in silver ink, 32.0x26.5 cm, Österreichische Nationalbiblioth ...

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Cup with the Raising of Lazarus (Christ holding a staff and Lazarus still  wrapped in his burial shroud), 4th century, Free-blown glass with wheel-cut decoration; very pale green, nearly colourless, 11.2 × 11.8 cm, Yale University Art Gallery, USA

Lazarus Saturday – Σάββατο του Λαζάρου

April 15, 2022
by Amalia Spiliakou Byzantine ArtTeaching Resources

Lazarus Saturday is commemorated in Byzantine art through the Yale glass cup depicting Christ raising Lazarus, a serene Early Christian scene symbolizing resurrection, hope, and divine power over death.

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Exhibition Sargent, Whistler, and Venetian Glass: American Artists and the Magic of Murano Installation Photography, Courtesy Smithsonian American Art Museum, 2021

Byzantine-Style Mosaic Necklace with Christ and Twelve Apostles

April 12, 2022
by Amalia Spiliakou 19th century ArtTeaching Resources

The Sargent, Whistler, and Venetian Glass: American Artists and the Magic of Murano highlights a Byzantine-style mosaic necklace whose debated origins—ancient or 19th-century revival—reflect Venice’s enduring fascination with Byzantine artistry and Murano craftsmanship.

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Sarcophagus of the Muses, c. 150-160 AD, Pentelic Marble, 0.92x2.06 m, the Louvre Museum, Paris, France

The Sarcophagus of the Muses in the Louvre

April 8, 2022
by Amalia Spiliakou MythologyRoman ArtTeaching Resources

The nine Muses—daughters of Zeus and Mnemosyne—embody epic poetry, history, music, dance, tragedy, and astronomy, inspiring ancient and modern creativity through their distinct artistic domains.

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