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La Fornarina

April 26, 2022
by Amalia Spiliakou Italian Renaissance ArtRenaissance ArtTeaching Resources

La Fornarina, often linked to Raphael, portrays an enigmatic young woman whose identity remains debated, blending sensuality, symbolism, and artistic self-awareness in a work that continues to fascinate scholars.

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Book cover with a silver-gilt Spanish setting of a Byzantine Ivory Crucifixion, 10th century (ivory); late 11th century (setting), silver-gilt with pseudo-filigree, glass, crystal, and sapphire cabochons, ivory on wood support, Overall: 26.4 × 21.9 × 2.5 cm, the MET, NY, USA

Good Friday – Μεγάλη Παρασκευή

April 21, 2022
by Amalia Spiliakou Byzantine ArtMedieval ArtTeaching Resources

The Byzantine Good Friday hymn contemplates Christ’s Passion with cosmic sorrow, reflected in a 10th-century ivory Crucifixion panel, where serene suffering and sacred symbolism proclaim sacrifice, redemption, and hope.

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Vienna Genesis, The Pharaoh’s Banquet, folio 17, page 34, (Cod. Theol. gr. 31), first half of the 6th century, Illuminated Parchment dyed purple, heightening in shell gold, with a text written in silver ink, 32.0x26.5 cm, Österreichische Nationalbibliothek, Vienna

Holy Monday – Μεγάλη Δευτέρα

April 17, 2022
by Amalia Spiliakou Byzantine ArtTeaching Resources

Vienna Genesis, The Pharaoh’s Banquet, folio 17, page 34, (Cod. Theol. gr. 31), first half of the 6th century, Illuminated Parchment dyed purple, heightening in shell gold, with a text written in silver ink, 32.0x26.5 cm, Österreichische Nationalbiblioth ...

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Cup with the Raising of Lazarus (Christ holding a staff and Lazarus still  wrapped in his burial shroud), 4th century, Free-blown glass with wheel-cut decoration; very pale green, nearly colourless, 11.2 × 11.8 cm, Yale University Art Gallery, USA

Lazarus Saturday – Σάββατο του Λαζάρου

April 15, 2022
by Amalia Spiliakou Byzantine ArtTeaching Resources

Lazarus Saturday is commemorated in Byzantine art through the Yale glass cup depicting Christ raising Lazarus, a serene Early Christian scene symbolizing resurrection, hope, and divine power over death.

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Exhibition Sargent, Whistler, and Venetian Glass: American Artists and the Magic of Murano Installation Photography, Courtesy Smithsonian American Art Museum, 2021

Byzantine-Style Mosaic Necklace with Christ and Twelve Apostles

April 12, 2022
by Amalia Spiliakou 19th century ArtTeaching Resources

The Sargent, Whistler, and Venetian Glass: American Artists and the Magic of Murano highlights a Byzantine-style mosaic necklace whose debated origins—ancient or 19th-century revival—reflect Venice’s enduring fascination with Byzantine artistry and Murano craftsmanship.

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Sarcophagus of the Muses, c. 150-160 AD, Pentelic Marble, 0.92x2.06 m, the Louvre Museum, Paris, France

The Sarcophagus of the Muses in the Louvre

April 8, 2022
by Amalia Spiliakou MythologyRoman ArtTeaching Resources

The nine Muses—daughters of Zeus and Mnemosyne—embody epic poetry, history, music, dance, tragedy, and astronomy, inspiring ancient and modern creativity through their distinct artistic domains.

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The Death of Socrates by Jacques Louis David

April 5, 2022
by Amalia Spiliakou 18th century ArtFrench ArtTeaching Resources

In 1786, Jacques-Louis David, inspired by Classical antiquity and Enlightenment ideals, prepared The Death of Socrates, drawing on Greek history, Italian study, and deep engagement with ancient art and theory.

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Simon Bening’s April

March 31, 2022
by Amalia Spiliakou Northern Renaissance ArtRenaissance ArtTeaching Resources

Simon Bening’s April miniature from the Golf Book depicts an elegant Renaissance courtship in a lush garden, where richly dressed lovers, lively figures, and refined details celebrate spring, love, and aristocratic life.

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Paul Cézanne (left) and Camille Pissarro (right) at Auvers-sur-Oise, Private Collection, by an Anonymous Photographer

Camille Pissarro Flower Arrangements

March 26, 2022
by Amalia Spiliakou 19th century ArtFrench ArtImpressionism

Camille Pissarro, a central figure in Impressionism and Neo-Impressionism, pioneered modern landscape painting through his lifelong commitment to capturing rural life, light, and everyday scenes across all eight Impressionist exhibitions.

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Gallery of Beauties, Schönheiten-Galerie König Ludwig I, Nymphenburg Palace, Munich, Germany

Joseph Karl Stieler’s Portrait of Katerina “Rosa” Botsaris

March 24, 2022
by Amalia Spiliakou 19th century ArtModern Greek ArtTeaching Resources

Katerina “Rosa” Botsaris, famed for her beauty and noble heritage, became Queen Amalia’s lady-in-waiting and was immortalized by Joseph Karl Stieler in Bavaria’s Gallery of Beauties.

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