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George Lambert's 1922 oil self-portrait: the artist stands against a deep purple background in a gold velvet smoking jacket, pipe in mouth, one hand on hip, beside a cut-crystal vase of red, pink, and white gladioli.

George Lambert’s Self Portrait with Gladioli

July 31, 2026
by Amalia Spiliakou 20th century ArtTeaching Resources

A velvet jacket, a pipe, and a vase of gladioli, meet George Lambert, the Russian-born jackeroo who became Australia’s most glittering artist.

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Collage of artworks for August 2026 Teacher Curator Newsletter.

August 2026 Newsletter

July 27, 2026
by Amalia Spiliakou Newsletter

August 2026 brings gladioli, imperial sarcophagi, ancient toys, and seaside light — eight works that reward a slower, more curious gaze.

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Spyros Papaloukas, The Temple of Aphaia, Aegina, 1923, oil on cardboard mounted on canvas, 27.5 × 33.5 cm. A small-format plein air study of the ancient Doric temple on the island of Aegina, painted in the artist's characteristic chalky, fresco-like technique.

Spyros Papaloukas and the Temple of Aphaia

July 23, 2026
by Amalia Spiliakou 20th century ArtModern Greek ArtTeaching Resources

In the summer of 1923, grief-stricken after losing 500 works to war, Spyros Papaloukas painted ancient ruins on Aegina — and found his voice.

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Glazed terracotta portico dome by Luca della Robbia in the Cappella dei Pazzi, Florence, showing blue and white decoration with Pazzi coat of arms tondo.

Luca della Robbia’s Glazed Terracotta Portico Dome

July 20, 2026
by Amalia Spiliakou Uncategorized

Luca della Robbia’s glazed terracotta dome in the Pazzi Chapel combines Renaissance geometry, luminous colour, and the Pazzi coat of arms in a striking architectural and symbolic program.

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